asylum-art:

Martin Wittfooths Beautiful and Disturbing Paintings of Animals in Post-Apocalyptic Settings

Martin Wittfooth’s intensely allegorical paintings all suggest the future of the human condition — without showing a single person. The Brooklyn-based painter has transcended the illustrative genre and entered into the realm of modern masterworks, using a time-honored painterly tradition that may be painstaking, but reveals incredible depth in both medium and content. His paintings are haunting in that they have a feeling of real possibility. The familiar scenes hint of dystopia and disrepair; their animal subjects are beautiful, but also betray that something in this world is amiss. In light of the long-awaited recognition and acceptance of climate change, Wittfooth’s work has an undercurrent of forewarning about what could happen if humans don’t get our act together. We spoke to the artist about his post-apocalyptic vision, classic style, and the  of using animals instead of people as subjects.

iamjohnegberttheheirofbreath:

Beck was a real friend

karmanistic:

Gifified a pic by  Elina Grethen

karmanistic:

Gifified a pic by  Elina Grethen

definitelydope:

sunday in switzerland (by manyfires)

Come and get your love…

koolaidicecubes:

When u feel really hot but look terrible in all your selfies

image

faantasmic:

"i’m free."

rest in peace, robin williams.

porpentine:

i’m into really low commitment hangouts like lying on the floor near each other or falling asleep together or falling into an endless void together

shoujo-addict:

セレニティ

shoujo-addict:

セレニティ

aerienette:

"All that we see or seem is but a dream within a dream.” ― Edgar Allan Poe

aerienette:

"All that we see or seem is but a dream within a dream.” ― Edgar Allan Poe

wnderlst:

Grossglockner, Austria | Arto Hakola

wnderlst:

Grossglockner, Austria | Arto Hakola